About Me
1998–
Early Life
Born in Milan, Italy, Virginia started dancing at age three but took a break at eight. Two years later, at 10, she felt a powerful urge to return to ballet, as if she was destined for it. To make up for lost time, Virginia began private lessons to rebuild her foundation. That year, with the La Scala Ballet School auditions already passed, she enrolled in the Ukrainian Ballet Academy in Milan, which provided a crucial year of preparation. In 2010, at 12, Virginia began her training at the renowned La Scala Ballet School.
“Joining such a prestigious school was a dream for me, and it felt like the natural next step to pursue ballet at the highest level possible.”
2015–
Career Beginnings
After five years of rigorous study, driven by a lifelong dream to dance in New York, Virginia auditioned for the American Ballet Theatre (ABT) summer intensive. Her talent shone through, earning her a full scholarship to the Jacqueline Kennedy Onassis School at ABT. This opportunity not only brought her to the United States but also marked the beginning of her professional career with one of the world’s most celebrated ballet companies.
“Moving to New York City as a teenager was both challenging and exciting, but it opened doors that shaped the rest of my career.”
2016–
ABT Studio Company
Virginia’s career took off at an impressive pace. She trained for only four months at the JKO School before landing a spot in the ABT Studio Company. She quickly distinguished herself, performing the lead variation in Marius Petipa’s classical ballet Raymonda and being featured in Marco Pelle’s Libera Pas de Deux. Her performances were noted for their technical precision and dramatic depth. Following her apprenticeship with American Ballet Theatre, Virginia was promoted to the main company in January 2018.
“Every time I perform on the stage of the Metropolitan Opera House, I feel a sense of magic—as if everything comes together to create something unforgettable."
2018–
American Ballet Theatre
Virginia has established herself as a versatile and celebrated dancer since joining the main company. Her repertoire showcases her commanding stage presence in leading roles such as Myrtha in Kevin McKenzie’s Giselle, Diana in Sir Frederick Ashton’s Sylvia and Odette/Odile in Swan Lake with the International Festival Ballet, and many more. Virginia’s range is evident in both classical and contemporary repertoire, from soloist roles like the Big Swans in Swan Lake and Zulma in Giselle, to featured parts in modern works like Alonzo King’s Single Eye and Keaton Leier’s Atmosphere. Her versatility is built upon a strong classical foundation honed through years in the corps de ballet in works like La Bayadère, Theme and Variations, Ballet Imperial, among others.
“Every role I take on feels like a new opportunity to learn and evolve. Ballet constantly challenges me to grow not only technically but also as an artist, and that’s what excites me. Each year, when I step on stage, I realize that I love this art form even more than the year before."
2020–
Beyond the Theatre
During the 2020 COVID-19 lockdown, Virginia completed the ABT National Training Curriculum (Pre-Primary through Level 7) With this new expertise, she now serves as a guest instructor at Valentina’s School of Ballet, sharing her profound passion and knowledge with the next generation of dancers. Virginia was honored with the Fini Dance Festival Rising Star Award (2018) and the ABT Affiliate Teacher Award (2024) for her impact as both a performer and educator. Her artistry has graced esteemed stages worldwide, including the Metropolitan Opera House, the Kennedy Center, and the United Nations. As a guest principal dancer, Virginia starred as Odette/Odile in Swan Lake (International Festival Ballet) and performed Clara in The Nutcracker and Odette/Odile in Swan Lake (British Festival Ballet) across Europe. Virginia continues to prove her influence in the world of ballet, with her artistry shining brightly on stage and in her dedicated work in the studio.
